Let the Right One In, by John Lindqvist, the basis for the original foreign film and the recent American film, titled Let Me In, this is a sprawling novel with more character and additional, mind-blowing details hiding in plain site, especially in the first film
Bloodsucking Fiends and You Suck, both by Christopher Moore, who is a sublime, funny and effortless writer, and is, according to his covers, both a bestselling and cult writer (huh? is that something like a destitute millionaire?) but no matter, he gives me hope for finding the right publisher for my novels
Sunnyside, Glen David Gold, by one of the best writers of my generation, married to one of the worst–though I’m sure she’s a nice person
The Graveyard Book, by Neil Gaiman, a simple ghost story that isn’t, it left me staggered, and probably murdered the last lingering remnants of my childhood
Almost everything by Michel Faber. I’m currently reading a pile of his collections and shorter works. His epic novel, The Crimson Petal and the White, is a work of genius, and he gets super bonus points for referencing Godflesh, the first band I saw at the 9:30 Club. The short story “Vanilla Bright Like Eminem” is a masterpiece of a short story.